best eames lounge chair replica 2020
best eames lounge chair replica 2020
best eames lounge chair replica 2020,The Best Eames Chair Replica,Best Eames Chair Replica & Reproductions,Best Eames Style Recliners of 2020,Eames Lounge Chair & Ottoman
Charles Eames wanted to design “a chair which was a product of mass production and mass production would not have anything but a positive influence on it; it would not be a substitute for handicraft.” This perfectly captures how the Eamses intended mass production and craft to work together harmoniously in the design of the chair. Their love of craft could evidently be seen in their own home and working environment as “they amassed an array of everyday objects, decorative ornaments and toys over their lifetimes…
they admired the meticulous craftsmanship and attention to materials often involved in the making of such objects.” It isn’t surprising then that they translated this love into their own work. However, in their earlier designs, they were more focussed on new technologies. With their more affordable fibreglass reinforced plastic armchairs, “they had finally achieved their goal of mass-producing moulded compound curve furniture at prices the average person could afford.”
The design of the Lounge Chair could be seen as a way of them combining their admiration of new technologies and traditional materials. Herman Miller say that “the comfort and support built into the Eames Lounge Chair and Ottoman help explain their enduring popularity. A dynamic blend of hand-craftsmanship and mass production techniques makes this possible.” The mix of these two factors are what make the two materials what they are, and elevate them to a level of quality and luxury that people demanded in their furniture.
Illustrator Helen Musselwhite says of new technologies that “once you reach saturation point, people look for something else, and people always look to the past.” It could be argued that this is what the Eamses did with their design of the Lounge Chair, by using traditional materials, but without completely disregarding their knowledge of new technologies.
Combining the cream Eames Lounge Chair
If you are in love with the cream-colored Eames Lounge Chair & Ottoman, choose complementary colors that will make it stand out in the room to draw attention to it.
Yellow, purple, red, blue, and orange go well with cream. Even though it’s a neutral color, not all colors help cream-colored furniture stand out the way it deserves to.
Gray and cream produce a calming effect, as well as lavender, cream’s complementary color. And, when paired with pure white, you can note the cream shade’s subtle difference.
The Selection of True Materials and Style Elegance
Germany USM style furniture is the top best-selling brands of timeless designs with high-quality construction that makes USM’s products the paradigm of versatile modular design on elegant and minimal system appropriate for office environment. The assimilate with any architectural style or interior design of a certified dealer of USM style furniture was known as a pre-eminent producer of iron works and window fittings.
A new dramatic direction by transforming the form of a larger manually-oriented production to a modern industrial modern USM style furniture. A famous furniture brand founded in specializing the production of custom-made Germany USM style furniture from tables and bar cabinets that also uses in hotel buffets with bedside tables, armchairs and lamps of brand. Producer of design USM style furniture developed its business and transformed into one of the world’s leading manufacturers of luxurious modern USM style furniture for the production of furniture. Using the specialized wood in combination with the best polyester in paying special attention to every detail in terms of function and the final touches to the Germany USM style furniture.
The History of the Eames Office Chair
Charles and Ray Eames remain amongst the greatest designers of the modern era. True polymaths, they created groundbreaking films, buildings and textiles. In furniture, they produced iconic designs that combined sleek aesthetics, major technical achievements and, above all else, comfort. Many designers have since taken their iconic work as inspiration, spinning all sorts of stylish, innovative and comfortable chairs. Amongst the Eameses’ most famous designs was the Aluminium Group, commonly known these days as Eames office chairs.
The design was born out of a challenge set almost sixty years ago. The Miller House is now a National Historic Landmark, but in the mid-1950s it was a building site. The house was to be the epitome of modern design and its interior uncluttered, but homely.
Girard was a long time collaborator of the Eameses and asked them to
design high-quality seating that could be used both inside and outside the house.
Charles and Ray Eames’ chair was to be a revolution. They constructed the seat frame from cast aluminium, making it lightweight but strong. The Eames chair could be moved about with ease and wouldn’t be easily damaged. The frame was designed to support a stretched synthetic mesh. The material was secure, but fitted loosely enough that it could conform to the body of anyone sitting in it. This mesh was not a standard cover for the seat, but an integral, load bearing part of the chair’s design.
This form of seat suspension was a major technical breakthrough, throwing out the
rulebook that had existed since the Ancient
Greeks which said chairs should be a solid shell.
EAMES LOUNGE CHAIR AND OTTOMAN (1956)
The first Eames lounge chair and ottoman was made as a
gift for Billy Wilder, the director of “Some Like It Hot,” “Irma La Douce,” and “Sunset Blvd.”
The heritage of the chair goes back to the moulded plywood chairs pioneered by the Eames’s in the 1940s.
Charles Eames said his goal for the chair was the warm, receptive look of a well-used
first baseman’s mitt and a special refuge from the strains of modern living.
The first lounge chair and ottoman produced by Herman Miller, in 1956,
made its public debut on Arlene Francis‘s Home show, a predecessor of
the Today show. Commenting on the unique design, Charles Eames told
Francis, “We’ve never designed for a fashion, and the Herman Miller
furniture company has never, ever requested that we do pieces for a market.”
The lounge chair and ottoman have been in production ever since and the rights are still
owned in the US by Herman Miller and today in Europe, the Middle East and
Africa by Vitra.